Showing 25–36 of 208 results
Lanaquarelle (CP) 300gsm 56x76cm 6 Sheets
300 gsm · 100% cotton rag · Cold pressed
This is the jewel in the crown of the range. Our master papermakers manufacture this acid free 100% cotton rag watercolour paper in the old-fashioned way, adhering strictly to traditional techniques. Manufactured on a cylinder mould and surface sized, working with this paper makes every watercolour moment a real pleasure.
Techniques: watercolour, wash drawing, gouache, acrylic, ink.
Lanaquarelle (HP) 300gsm 56x76cm 5 Sheets
300 gsm · 100% cotton rag · hot pressed
This is the jewel in the crown of the range. Our master papermakers manufacture this acid free 100% cotton rag watercolour paper in the old-fashioned way, adhering strictly to traditional techniques. Manufactured on a cylinder mould and surface sized, working with this paper makes every watercolour moment a real pleasure.
Techniques: watercolour, wash drawing, gouache, acrylic, ink.
Lanaquarelle (Rough) 300gsm 56x76cm 5 Sheets
300 gsm · 100% cotton rag · hot pressed
This is the jewel in the crown of the range. Our master papermakers manufacture this acid free 100% cotton rag watercolour paper in the old-fashioned way, adhering strictly to traditional techniques. Manufactured on a cylinder mould and surface sized, working with this paper makes every watercolour moment a real pleasure.
Techniques: watercolour, wash drawing, gouache, acrylic, ink.
Litho Archiv Matt – 230g A4 50 Sheets
Warm white, matt coated inkjet paper with an absolutely velvety surface, ideal as a cost-effective alternative to smooth artist papers. Excellent image carrier for valuable and archival photo posters, trade fair graphics, advertising posters, visualisations in architecture and technology. Special inkjet layer enables high-quality, archival image output with very high colour space and excellent D-Max values.
Litho White Matt – 230g A4 50 Sheets
Litho White Matt is the perfect complement to “Litho Archival Matt”, slightly brighter in paper white with the same absolutely velvety soft
surface, ideal as a cost-effective alternative to smooth artist papers. Excellent image carrier for valuable and archival photo posters, trade
fair graphics, advertising posters, visualisations. Special inkjet layer enables premium, archival image output with very high colour space
and excellent D-Max values.
Matte Fibre 200 A4 25 Sheets
100 % α-cellulose · natural white
Photo Matt Fibre is a low-weight, cellulose paper with an optimised inkjet coating for photo application. It’s perfectly suitable for photo and poster prints as well as photo books. The smooth, very light textured paper has a pleasant warm tone whiteness. It excels with its print quality, ensuring the best results for daily printing.
Matte Fibre DUO 210 A4 25 Sheets
210 gsm · 100 % α-cellulose · natural white · double-sided
Photo Matte Fibre Duo is the double-sided version of Photo Matt Fibre. The low-weight, cellulose paper comes with an optimised inkjet coating for photo application and is perfectly suitable for photo books. The warm tone paper has a smooth, very light textured surface on both sides. It excels with its very good print quality, ensuring the best results for daily printing.
Mitsumata White Double Layered A4 20 Sheets
Mitsumata White Double Layered is an elegant smooth washi with a warm tone and very subtle gloss. The top printable side is made from 100% Japanese Mitsumata fiber while the back (peel-away) side of pulp is discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness.
Murakumo Kozo Select natural A4 20 Sheets
The Murakumo Kozo Select Natural Paper from Awagami Factory is made from 90% premium kozo and 10% pulp, resulting in a soft and textured surface that aids in creating the distinct look and feel of antique documents and artwork. Available here as a 10-pack of A3+, 13 x 19" sheets, this traditional Japanese washi-style paper features a natural color without the use of optical brightening agents. This media's distinctive texture makes it an excellent choice for printing Asian artworks and lends a tactile beauty to photographs. The matte media is pH neutral for longevity, and it is often used in the reproduction of antique documents. Additionally, this paper's unique characteristics of strength and thinness make it ideal for hanging scrolls, artist books, and folding screens.
Murakumo Kozo Select White A4, 20 sheets
The Murakumo Kozo Select White Paper from Awagami Factory is made from 90% premium kozo and 10% pulp, resulting in a soft and textured surface that aids in creating the distinct look and feel of antique documents and artwork. Available here roll of 91.4cm, this traditional Japanese washi-style paper features a natural color without the use of optical brightening agents. This media's distinctive texture makes it an excellent choice for printing Asian artworks and lends a tactile beauty to photographs. The matte media is pH neutral for longevity, and it is often used in the reproduction of antique documents. Additionally, this paper's unique characteristics of strength and thinness make it ideal for hanging scrolls, artist books, and folding screens.
Museum Etching A4 25 Sheets
350 gsm · 100% cotton · natural white
Hahnemühle Museum Etching is a natural white cotton art paper with an inkjet coating specially optimised for FineArt printing. This heavyweight textured paper does not contain optical brighteners and is characterised by its high stability. The finely textured surface with fine felt structure lends FineArt prints added depth and a three-dimensional effect. Combined with the pure cotton base, this creates a wonderfully soft tactile feel and artistic impression. The premium matt inkjet coating produces excellent print results. Colours are wonderfully vivid, the depth of the black truly stands out and details are reproduced perfectly. The acid- and lignin-free Museum Etching meets the most exacting requirements for age resistance and is ideal for reproducing photographs and works of art.
