Showing 13–24 of 208 results
FineArt Baryta Satin A4 25 Sheets
300 gsm ⋅ 100% α-Cellulose ⋅ white ⋅ satin finish
Hahnemühle FineArt Baryta Satin is a natural white FineArt inkjet paper made of 100% α-cellulose that has been refined with a special inkjet coating for FineArt applications. The subtly textured, smooth base paper contains no optical brighteners and has a silky, smooth surface texture with a beautiful feel. The satin-gloss premium inkjet coating guarantees exceptional print results with intense colours, deep blacks and outstanding sharpness. The barium sulphate within the coating makes FineArt Baryta Satin a viable alternative to analogue baryta paper. The acid- and lignin-free FineArt inkjet paper meets the most exacting requirements for age resistance and produces stunning FineArt reproductions of black and white and colour photographs.
FineArt Pearl A4 25 Sheets
285 gsm · 100% α-Cellulose · bright white · pearl-finish
Hahnemühle FineArt Pearl is a cellulose-based FineArt inkjet paper with an inkjet coating specially tailored for FineArt use. The bright white paper has a delicately textured surface and a smooth, silky feel. In combination with the premium inkjet coating, it produces an elegant finish with a subtle, pearl-gloss effect. Once printed, the paper impresses with outstanding reproduction of colour and detail, deep blacks and striking contrasts. The acid- and lignin-free FineArt Pearl meets the most exacting requirements for age resistance and is ideal for printing high-quality black and white as well as colour photographs.
German Etching A4 25 Sheets
310 gsm · 100% α-cellulose · white · genuine mould-made paper
Hahnemühle German Etching is a traditional mould-made copperplate printing paper, complete with an inkjet coating designed especially for FineArt applications. The white art paper made from 100% alpha cellulose is characterised by its extraordinary velvety tactile feel and its fine, clearly defined felt structure. The unique surface texture adds a very special touch to images, showcasing them in all their splendour with impressive three-dimensional effect and depth. The premium matt inkjet coating guarantees outstanding print results with excellent reproduction of colour and detail, deep black and optimum contrasts. German Etching is acid- and lignin-free and meets the most exacting requirements in terms of age resistance. This heavyweight FineArt inkjet paper is one of the most popular paper for FineArt prints and art reproductions thanks to its characteristic tactile feel and surface texture. German Etching ® is a registered trademark in the US.
Hahnemühle 1584 – single watermark 56x76cm 100 Sheets
300gsm 100% cotton rag with one watermark "Hahnemühle" and deckled edges.
The name alone says it all: this paper symbolises the company’s tradition to produce classic artist papers in perfection. The artist paper, made of pure cotton is unsized and – consequently – extremely absorbent. The satin-finish makes for a particularly smooth surface. With a weight of 300gsm, Hahnemühle 1584 is firm and hard-wearing while the cotton fibres provide flexibility at the same time. Four deckle edges and a watermark complete this high quality paper. Hahnemühle 1584 is particularly well suited for woodcut and silkscreen. Even in the case of multi-layer applications, colours are absorbed extremely well.
Without optical brighteners, acid-free, unsized and alkaline reserved it meets the highest ISO 9706 longevity standards.
Hahnemühle Platinum Rag – 76x56cm 25 Sheets
300gsm 100% cotton rag without alkaline buffering
Hahnemühle Platinum Rag is an uncoated fine art paper. It is designed to meet the highest quality requirements for platinum printing and any other non-traditional photographic printing processes like Palladium, Van Dyke, Cyanotype and Salt Prints. The natural bright white paper with a weight of 300 gsm is made of 100% cotton fibres. It is acid free and does not contain any alkaline buffering. Along with the optimised sizing, the paper allows for easy coating and clearing.
Hahnemühle Platinum Rag excels with a beautiful tonal range and very deep blacks. The smooth, slightly textured surface lends the paper a pleasant feel-to-the-touch. Both sides have a very good print quality without any noticeable difference while printing both the front and the back.
Hemp A4 25 Sheets
290 gsm, 60% hemp fibre, 40% cotton, white
Hahnemühle Hemp uses one of the oldest and most diverse natural fibres in the world and is made of 60% hemp fibre. The FineArt inkjet paper’s base impresses with its bright white natural tone, and thanks to the bright white colour of the hemp fibres, no optical brighteners are required. The lightly textured surface gives the paper a pleasant, silky feel. Combined with the matt premium inkjet coating, this is a truly versatile FineArt inkjet paper. Colours and details are brilliantly reproduced, the depth of the black truly stands out and contrasts are reproduced with stunning effect.
Inbe Thick White A4, 20 sheets
Inbe Thick White 125gsm is a thicker version of Inbe, very soft in texture but with an unexpected tensile strength. The buttery texture and natural base color make this one of the more popular papers in the AIJP line.
. A truly transformational inkjet paper. Hemp fibers are used to give the paper extra strength but with an unusual softness.
Basic look of washi (Japanese handmade paper)
Made of Kozo Manila hemp
125 gsm
.23mm
PH neutral
Inbe Thin White A4, 20 sheets
Inbe Thin White 70gsm is delicately thin, very soft in texture but with an unexpected tensile strength, Inbe is one of those unexpected pleasures that creates a surreal feeling in your images. It is so thin that a bit of the texture and structure of the paper can show through the ink. A truly transformational inkjet paper. Hemp fibers are used to give the paper extra strength but with an unusual softness.
Basic look of washi (Japanese handmade paper)
Made of Kozo Manila hemp
70 gsm
.15mm
PH neutral
Kozo Double-Layered 96gsm 30gsm (For Extra-Thin Prints) A4 20 Sheets
Kozo Double-Layered is two-layered paper with its printable side composed of 100% kozo fiber. A back peel-away sheet back is made from pulp and discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness. How-to video here:
Kozo Thick 110gsm Natural A4 20 Sheets
Kozo (mulberry) is a traditional fiber used to make washi that produces exceptionally strong archival papers. ‘Kozo Thick Natural’ AIJP has a warm light ecru tone and is recommended for black & white photos, giclee prints, museum-quality reproductions, fine art, scrolls, etc…It is great for backlit, wrapping, and other applications where you need a very strong / semi-transparent paper
Kozo Thick 110gsm White A4 20 Sheets
Kozo (mulberry) is a traditional fiber used to make washi that produces exceptionally strong archival papers. ‘Kozo Thick White’ AIJP is recommended for photos, giclee' prints, museum-quality reproductions, fine art, scrolls etc…It is great for backlit, wrapping over panels, and other applications where you may need a very strong / semi-transparent paper. Our best-selling AIJP paper
Kozo Thin Natural A4, 20 sheets
Kozo Thin Natural 70gsm is made of Kozo (Mulberry) fibers which are the most representative fibers of Washi. The elongated and strong fibers are both soft and strong. This very thin, natural (cream) colored base is exquisite for monochrome and full color images. The textural quality and overall look take on an antique feel without looking overtly old.
Basic look of Washi (Japanese handmade paper)
Made of Kozo Fibers (Mulberry)
70gsm (6.3 mil)
Cream Color
Soft Matte
PH Neutral
