Handmade paper is made by the tool which is called SUKETA. SUKETA is made from bamboo and consists of a frame and a screen. For the SU (screen), a strong thread is used to knit evenly. Also, the thickness of the bamboo is changed depends on the paper.

In order to knit one screen, it takes approximately one week. Japanese cypress is used to make the frame, and it has a gentle curve so that it can be straight when materials are scooped in the papermaking process. The screen is held between the upper frame and the lower frame when it is used.

suketa

Sukibune

suketafune2

SUKIBUNE made by stainless steel

funesuten

The papermaking tool is consisted of SUKIBUNE and SUKETA. SUKIBUNE is made from pine or cedar, but stainless steel board is nailed at the inside of SUKIBUNE for watertight purpose. UMAGUWA is also used to place SUKETA aside when stirring water, and place the UMAGUWA on TORII when agitating water with BAICHIKU by hand. OTTORI which is placed at the sides of SUKIBUNE is used to put SUKETA while putting paper on SHITOKO.

Compressor

compress2

The wet paper which is just finished to make is hold between boards which is slightly bigger than the paper size, and it is pressed with this machine in order to drain moisture slowly. There is a type of compressor to press by a jack, but today, an electronic motor and pressing sensors are used.

Beater - Blades of Naginata Beater - Blades of Hollander Beater

naginata

It is possible to start making paper after beating is completed; however, in order to make evenly beaten material, a mechanical beater is used in the next stage. For the materials of MITSUMATA and GAMPI, “Hollander Beater”, the fibers circulate between blades, is used.

The materials which have longer fiber, such as KOZO, are beaten by “Naginata Beater”. When these materials are added to the beater, the density of the liquid is approximately 1%-2%. (To process the materials with shorter fiber, such as materials from milk paper container, MITSUMATA, and GAMPI, the mixer for cooking can be possible to use.)

UMABAKE & Triangle revolving steam dryer

sankaku

It is made of steel, and it is heated by steam at high temperatures. It rotates 380 degrees and is used by brushing paper onto each surface. UMABAKE It is used to brush wet paper onto a dryer. It is carefully done by this brush to prevent any wrinkles on the surface of the paper and trapping any air between the sheet and the dryer

Cooking boiler

kama

It is a boiler to cook rinsed materials. Add water with alkaline chemicals into the boiler, cook materials for approximately 2 hours.

Bamboo 170 DUO A4 20 Sheets

24,85 "Excluding Vat"
Japanese bamboo-fiber paper Bamboo Paper is a smooth, organic paper created for artists and designers. The paper is manufactured of bamboo fibers according to the highest standards of longevity and archivability.

Mitsumata White Double Layered A4 20 Sheets

73,77 "Excluding Vat"
Mitsumata White Double Layered is an elegant smooth washi with a warm tone and very subtle gloss. The top printable side is made from 100% Japanese Mitsumata fiber while the back (peel-away) side of pulp is discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness.

Kozo Double-Layered 96gsm 30gsm (For Extra-Thin Prints) A4 20 Sheets

59,89 "Excluding Vat"
Kozo Double-Layered is two-layered paper with its printable side composed of 100% kozo fiber. A back peel-away sheet back is made from pulp and discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness. How-to video here: