Showing 1–12 of 105 results

Art Canvas Smooth 61cm X 12m

117,00 "Excluding Vat"

370 gsm · Poly-cotton · natural white

Hahnemühle Art Canvas Smooth is a matt-coated inkjet canvas made from mixed polyester-cotton fabric. The creamy white canvas contains no optical brigtheners and features a smooth, uniform canvas texture. The premium matt inkjet coating produces striking print results. Colours are wonderfully vivid, the depth of the black truly stands out and details are reproduced perfectly. Art Canvas Smooth is acid- and lignin-free and meets the most exacting requirements in terms of age resistance. The pliable material is flexible and ideal for mounting on canvas stretcher frames.

Bamboo 170 DUO A4 20 Sheets

18,74 "Excluding Vat"
Japanese bamboo-fiber paper Bamboo Paper is a smooth, organic paper created for artists and designers. The paper is manufactured of bamboo fibers according to the highest standards of longevity and archivability.

Bamboo 250 DUO A4 20 Sheets

23,30 "Excluding Vat"
Japanese bamboo-fiber paper Bamboo Paper is a smooth, organic paper created for artists and designers. The paper is manufactured of bamboo fibers according to the highest standards of longevity and archivability.

Cézanne Canvas 61cm X 12m

120,80 "Excluding Vat"
430 gsm · 100% Cotton · natural white
Hahnemühle Cézanne Canvas is a heavy inkjet canvas made of pure cotton, with an elegant, finely woven surface texture. The natural white canvas contains no optical brighteners and boasts a beautiful, natural shade of white. Together with the premium matt inkjet coating, it produces outstanding print results with excellent reproduction of colour and detail, deep black and exceptional contrasts. Cézanne Canvas is acid- and lignin-free and meets the most exacting requirements in terms of age resistance. This heavyweight canvas impresses with radiant colours and deep blacks, down to the smallest detail which bestows FineArt prints an exceptional brilliance. Despite its heaviness, the canvas is extremely elastic and is highly compatible with canvas stretcher frames.

Cotton Matte Smooth 300gsm 61cm X 15m

125,65 "Excluding Vat"
With a smooth matte surface, Cotton Matte Smooth Paper will provide artists and photographers with a pleasing medium with which to display their work. Made from 100% cotton with a basis weight of 300 gsm and a thickness of 19.7 mil, this hefty paper will inspire confidence. It also features an opacity of 99% and through the use of minimal OBA content is able to achieve a whiteness of 104%. Additionally, it is acid free and buffered for longevity and is both instant drying and water resistant.

Daguerre Canvas 43cm X 12m

103,60 "Excluding Vat"
400 gsm · Poly-cotton · bright white
Hahnemühle Daguerre Canvas is a matt coated, poly-cotton inkjet canvas with a fine, uniform surface texture. The bright white canvas is characterised by its high degree of whiteness. When combined with the premium matt inkjet coating, it produces clean, fresh colours, fine details and black and white reproductions that are rich in contrast. Daguerre Canvas is acid- and lignin-free and meets the most exacting requirements in terms of age resistance. Despite its high grammage, the canvas has excellent stretch properties and is ideal for mounting on canvas stretcher frames.

Kozo Double-Layered 96gsm 30gsm (For Extra-Thin Prints) A4 20 Sheets

51,63 "Excluding Vat"
Kozo Double-Layered is two-layered paper with its printable side composed of 100% kozo fiber. A back peel-away sheet back is made from pulp and discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness. How-to video here:

Kozo Thick 110gsm Natural A4 20 Sheets

51,63 "Excluding Vat"
Kozo (mulberry) is a traditional fiber used to make washi that produces exceptionally strong archival papers. ‘Kozo Thick Natural’ AIJP has a warm light ecru tone and is recommended for black & white photos, giclee prints, museum-quality reproductions, fine art, scrolls, etc…It is great for backlit, wrapping, and other applications where you need a very strong / semi-transparent paper

Kozo Thick 110gsm White A4 20 Sheets

51,63 "Excluding Vat"
Kozo (mulberry) is a traditional fiber used to make washi that produces exceptionally strong archival papers. ‘Kozo Thick White’ AIJP is recommended for photos, giclee' prints, museum-quality reproductions, fine art, scrolls etc…It is great for backlit, wrapping over panels, and other applications where you may need a very strong / semi-transparent paper. Our best-selling AIJP paper

Matte Fibre 200 A4 25 Sheets

18,30 13,10 "Excluding Vat"

100 % α-cellulose · natural white

Photo Matt Fibre is a low-weight, cellulose paper with an optimised inkjet coating for photo application. It’s perfectly suitable for photo and poster prints as well as photo books. The smooth, very light textured paper has a pleasant warm tone whiteness. It excels with its print quality, ensuring the best results for daily printing.

Matte Fibre DUO 210 A4 25 Sheets

20,40 "Excluding Vat"

210 gsm · 100 % α-cellulose · natural white · double-sided

Photo Matte Fibre Duo is the double-sided version of Photo Matt Fibre. The low-weight, cellulose paper comes with an optimised inkjet coating for photo application and is perfectly suitable for photo books. The warm tone paper has a smooth, very light textured surface on both sides. It excels with its very good print quality, ensuring the best results for daily printing.

Mitsumata White Double Layered A4 20 Sheets

55,62 "Excluding Vat"
Mitsumata White Double Layered is an elegant smooth washi with a warm tone and very subtle gloss. The top printable side is made from 100% Japanese Mitsumata fiber while the back (peel-away) side of pulp is discarded after separating. Separate the layers from one corner fist and attach to middle of a tube or cylinder. Slowly roll tube with paper across the sheet to gently pull the layers apart as you roll. A very unique sheet, this paper is typically used for fine art, backlit photography, sculptural printworks, reproduction of fine art prints, scrolls and antique replicas. *After peeling, the printed sheet will be approximately 1/3 third the original thickness.